gamerdad I’ve been playing this game in a very specific way, and I’m not one hundred percent sure it is the most standard way of approaching the game.

See, I’m really into contract work.The game has this aspect where rather than spending energy and time planting and waiting and harvesting and selling, you can instead jump into the guts of the farming on land that you own in-game and do one off contracts for other farmers. You rent the right equipment right there in the contract screen and then, wham-o, you are off and cultivating. My wife was watching me play and after making fun of me (lightly teasing, really) for playing at all she asked about the mechanics of the play system…and I explained contracts to her.

And as I worked thru it that not only that it is simpler to jump into and harvest someone else’s crop but that you make a buttload more cash doing it that way, too. So win-win, right? Right?

Right?!?

gamerdad I’ve stumbled into this sim again.

No, I haven’t previously written about my forays into virtual farming with the Farming Simulator series, but occasionally I do find some quiet time to pick away at a contract and harvest some wheat or bale some hay and sit quietly doing something that seems deeply productive while being absolutely video-game-style pointless.

Don’t judge.

No, but seriously, the truth of it is that in the vast world of simulator-style games, Farming Simulator has found an interesting enough niche that piggybacks off a long history of mobile and freemium games like Farmville, and steps one step closer to realism than a lifestyle sim like Stardew Valley, for example.

I have dabbled in three or four generations of this franchise now, and I do find a bit of a flow state now that I’ve figured out how to just work away at the fun bits and not fret the deeper end of the business sim stuff.

I did some writing earlier this evening and so kicked back with the Playstation opting to dive into something that didn’t require much brain power.

gamerdad Don’t ask me why I never bought this book when I saw it on the discount rack at Chapters, but I didn’t and so ultimately (after it stuck in my craw for long enough) I bought the audiobook version and have been diving into the strange parallel reality of this little science fiction meets dramatic character story.

I honestly don’t have a great sense of where this story is going yet. While it is technically a science fiction novel, the sci fi aspect is light in favour of the deep dive character drama that tells the story of this odd fellow named Belt who is either deeply troubled by mental illness or has some unique talent that is unappreciated enough by the world that he comes across so. The construct of the world is that there are these little fuzzy hamster-like robots that are as ubiquitous as an iPhone might be in our world, and people carry them around and perform all manner or complex ritual that is alike a metaphor for social media and technology addiction.

I will read on and try to decipher the puzzle, though, before I proclaim to understand more.

gamerdad I finished book five about a week ago and I’m already onto another read, but I figured I should at least give Bob and his clones a proper send off.

These are decent books and I do like them, but I will say that book five was a bit more scattered than the previous four. There was a solid plot, yeah, and the story progressed in a long arc sort of way, but the whole thing seemed a bit more like there were a half dozen short stories shuffled together like a deck of cards into a single novel-sized package. The series had already been about a guy who (spoiler alert) digitally clones himself and propagates across the galaxy, so there are increasingly more stories to tell as the bob-iverse expands and branches and subdivides infinitely onwards.

So I guess if the author really is aiming for a teen book series as he claims in his blog, he’d better figure out how to focus the story—at least in my opinion.

gamerdad It kinda strikes me that at some point someone was bound to get a little tired of the graphics are king style of game design and look back fondly on those days of simple blocky games with an easy-to-understand premise. Like SimCity. Remember SimCity? The classic SimCity? Remember? The one where you just built the three zones and connected roads together and made a giant zen-state city that had a few simple metrics to follow.

I mean, oh sure, SimCity got big and then Cities Skylines took over and now with the second edition getting mixed reviews all over the place the PS5 version is seemingly delayed indefinitely or something. AWOL at best, I guess. What do I know? But whatever, those games got immensely complex and crazy and you were juggling so many things it just seemed like work. Like, if they could just put in a little slider-knob at the start that says something like “make it play like in 1993” and I’d actually use that on occasion. Those old versions were simple and fun, and I do like the complexity, but sometimes I like the simple stuff too.

Little Cities seems like someone got my vibe check and was like, yeah, let’s make the old SimCity but—since someone already made it—let’s build it in VR so that we have a gimmick to sell it under and—yeah. Old school SimCity. I’ll be back.

gamerdad The fifth book in the Bobiverse series showed up in my audiobook library the other day and I quickly moved it to the top of my reading/listening queue.

I’m still not sure if this series counts as humour science fiction or speculative fan service, but i’ve enjoyed every title in it, whatever it is. In only a couple chapters into book 5 tho, so more thoughts on the book and the whole series as I keep reading. Um, listening.

gamerdad I’ve continued to dive into this Australian campaign for another couple hour-long play sessions and have come to the ultimate conclusion that as much as I like this game I’m probably playing it far less strategically than the designers intended.

It’s not that I’m not strategic, but I’ve come to notice that my play style is way more casual than details-oriented. The game famously floods you with dozens of narrative threads all meant as tweaks and dials and knobs and gears to micromanage the course of a civilization thru history. That’s the appeal. That’s the game. And I’m sitting here thinking about how difficult it is to keep all those metaphorical plates spinning as I play. I’m clicking from turn to turn and building all the little pieces to grow my team wondering how some people keep track of it all. But I started to then think about how much I tend to rush it all. Click. Next. Click click. Next.

Then the obvious dawned on me: there’s no rush. I could spend hours on each turn if I wanted. I could read every option. Look at all the data before each play, each spend, each build. I could, but I usually don’t. I just click, click and click some more. Strategy never happens at pace, it is methodical and slow, and I just play “wrong” when I play casually.

I mean, I’m not sure if that changes anything at all whatsoever, but it’s interesting to notice and think about.

gamerdad No thanks to Youtube I found myself watching the latest in depth video about the next version of Civilization, the seventh instalment due early next year in February. Of course, my next best option to playing a game that won’t come out for six months is to dig back into some #ps5 Civilization 6.

Anyway. The last few times I’ve played I’ve been mucking around with the custom game settings. Call me a casual gamer, but sometimes I just like to play in a more creative way, so toning down the difficulty and the aggression of the ai is about the only way to turn this into a builder type game versus the all out campaign of military and religious warfare. Sometimes I just like to build big cities and explore, y’know?

Tonight I was randomly assigned to be the great ancient civilization of Australia, which disappointingly had nothing to do with the mighty aboriginal cultures but instead just the regular modern crocodile dundee aussies. I may need to find the mute button to keep up this save file tho—there’s only so many times I can listen to Waltzing Matilda playing in the background, ugh.

gamerdad Back when I was working full time I powered thru so many audiobooks that it word make your head spin. It probably accounts for why my library is in the 500s and’s I’ll never write or post about even a solid fraction of them. Since I’ve been downtown again a few days this week I’ve been back into the audiobooks again and that means I’ve picked back up on this Lord of the Rings history once more. With only a couple hours left I may even finish it off soon, though it seems appropriate with orchestra starting up again shortly that I rejoined my listen right about where they are talking about the music score from the film—a definite masterpiece to compare to, and be a huge part of, the film itself.

gamerdad Along with some user manuals (which are still weeks away from release as I write this) I’ve been inventorying my supplies for a basic D&D campaign. Dice. Map tools. A big kitchen table to play at. And apparently, tho maybe I’m jumping the gun here, coins are useful. And sure, I could be boring and just but a set, but I do have a #3Dprinter just sitting there in my basement calling out for reason and purpose. I downloaded a set of community-designed coins as a start and I figure I’ll just start printing and creating a collection of some kind. I don’t have any silver or grey filament tho, so I’ll see how they look in a couple hours and maybe lean into some painting to lock in the final look.

I started back at the beginning this week. We binge watched season four over three short days (there were only six episodes in this last round) and in a bout of “we should have rewatched season three to re-catch-up confusion, I got to thinking that I really didn’t understand it and it might be that I need to revisit the whole series again, in order, to get a better sense of the whole.

That said, I did pull out the graphic novels and flip through them too in an attempt to see if there were any hints, but it turns out that season four was seemingly invented whole cloth for the Netflix show and not adapted from the page like the first three seasons, so the slight change in vibe and tone I was sensing might not have been completely off.

The Kid had already dug into the reviews before we capped off the series (even though she did politely wait for me to watch the actual show) and the reviews of season four were right in line with what we sensed: a bit of meh, a bit of wtf, a bit of oh. The show was always weird, but sometimes nostalgia kicks in and the magic we glommed onto during those magical first episodes doesn’t float fully across the entire series even if the quality and story parallels. We can inflate stuff in our brains and make it out to be better than it was. But benefit of the doubt, I’m re-watching the whole damn thing now.

gamerdad It would seem that I made it thru the first chapter, and not without some considerable effort. I did some more reading and my impressions and impressiveness with the climbing mechanics were on track as this game seems to be 98%all about that exact thing. But as a puzzle game those climbing challenges are getting increasingly more complex as I progress—obviously, huh? Where Of left off last time turned out to be right at the start of one of those impressively challenging climbing puzzles so a couple days after playing the tutorial I had to give my memory a plunge into the depths of medium term storage to recall all the tricky bits and beat the stage. Somehow I managed, but not without some tired fingers from manipulating the climb controls. I can only imagine how tired the little dude clinging to the wall must feel—and if he could talk, how frustrated with my skills.